Muziekmakers Der Nederlanden - een podcast van New Music Now en de Concertzender.

In deze aflevering een gesprek met violist Julija Hartig. Het gesprek werd live opgenomen, met publiek, in de kleine zaal van Splendor in Amsterdam, als een van de muziektalkshows die je op uiteenlopende momenten kunt bezoeken…

Black Rainbow in de Vrije Geluiden van VPRO

Grote dank aan Anne-Maartje van Lemereis en het team van Vrije Geluiden voor Black Rainbow iafgelopen zondag.

Het was bijzonder waardevol om te kunnen vertellen over de kern van het verhaal en de inhoud van het stuk!

Heb je de uitzending gemist? Beluister de hele aflevering van 25 januari 2026 hier.

Review Black Rainbow in Musical Frames

Black Rainbow is a stunning and inspiring CD by a violinist with an orchestral sound who makes her violin weep, cry, sing, and dance in a wide range of genres. With a confident, convincing, and precise technique, the violin is the core, the soul of the music, which begins immediately with the opening notes of Janáček’s Sonata for Violin and Piano, where later on, occasionally in the piano accompaniment, you even hear an imitation of the cymbal. Hartig is virtuously accompanied by pianist Reineke Broekhans, who approaches the compositions with a similar orchestral signature. Her playing, too, colors and flows effortlessly within the compositional painting, which is sometimes unexpectedly and abruptly marked by crescendos, accelerandos, or diminuendos. In these nuances, these two musicians prove that they complement each other exceptionally well musically, which is sublimely evident…

Back Rainbow - Hollandse Nieuwe 19. January - 23. January 2026 of Passagio Late Night programe of NPO

Julija Hartig creates a captivating world full of nostalgia and beauty – every note sounds sincere.

Julija Hartig creates a captivating world full of nostalgia and beauty – every note sounds sincere.

Yugoslavian-born violinist Julija Hartig emigrated to the Netherlands thirty years ago. On this album, she explores her cultural identity, follows her ancestors through Central Europe and the Balkans, and examines the feeling of home.

All that in four compositions? Yes, because together with pianist Reineke Broekhans, Hartig creates a fascinating world full of nostalgia and fragile beauty, through the jerky energy of Leoš Janáček's Sonata for Violin and Piano, the whirling rhythms in Fazil Say's First Violin Sonata, and the Romanian folk music that gasps and sighs through George Enescu's Third Violin Sonata.

The new single from the CD Black Rainbow is out!!!

Violin and piano Sonata No. 3 in A Minor, Op. 25, 

dans le caractère populaire roumain: 

I. Moderato malinconico

Julija Hartig - violin | Reineke Broekhans - piano

You can use this link to listen to it at your preferred music service!

Stay tuned for the album release and the release event!!!

Julija Hartig - violin

Reineke Broekhans - piano

In anticipation of our new CD Black Rainbow, listen to the first movement of the Janaček Sonata.

Julija Hartig en Reineke Broekhans (Duo Hartig-Broekhans) spelen Sonate voor viool en piano: 1. Con Moto van Leoš Janáček. Deze video is opgenomen in het Concertgemaal in Amsterdam.

NPO Klasiek

AVROTROS

„Today’s systems, exhausted and decadent, are leading toward self-destruction because they have long depleted all means and possibilities for growth. The time has come for something new—for an idea and a form that have no name yet, but are already knocking at the door.“

Human beings have always been the product of migration, and we sometimes forget that today when we try to prove our belonging. The Great Floating Tribe, and a new mode of communication, understanding, and vision for the future, may already be here.

My mission is to give sound to this idea and to inspire reflection—and, above all, conversation.

This new CD, Black Rainbow, is the sound of my Belonging to cultures through my heritage and the feeling of home through music. Each of these pieces is a reflection of the cultures I carry within myself, either through my ancestral DNA—Hungarian, Czech, Slovak, Austrian —or by being born into them—Yugoslavia, the Balkans.

You can support this CD through the new Crowdfunding campaign at Voor de Kunst by clicking on this link.

Thank you for your interest and kindnes!

The conversations also raise broader questions. How near is a region that is often seen as “far away”? What does it mean to belong somewhere? Can you feel connected to several places at once? Dutch-Serbian violinist Julija Hartig and writer Chris Keulemans join Pašović in a conversation about the past, belonging and identity. Hartig also expresses this theme in her music with Black Rainbow (2025), a personal work for violin, voice and electronics, in which she reflects on her origins and the desire to belong somewhere.

Read the whole article

De Nederlands-Servische violiste Julija Hartig speelde daarna Guslarska van Rudolf Brucci (1917–2002): geïnspireerd op de gusle, de traditionele knieviool met één snaar, die van Kroatië tot Albanië wordt bespeeld en vooral wordt gebruikt bij het begeleiden van epische heldendichten uit de tijd van de Turkse overheersing van de Balkan. De relatie met de traditionele volksmuziek was – vriendelijk gezegd – niet altijd evident (tenzij men vroeger op de Balkan in kleine secunden en nonen zong, want mij niet waarschijnlijk lijkt), maar Hartig verdedigde het werk vurig, ze speelde intens en vol bezieling en soms met een fabelachtig pianissimo dat bijna werd overstemd door het zachte ruisen der blaadjes. Alleen heel goede musici nemen dergelijke risico’s tijdens een openluchtconcert, en tot die categorie behoort Hartig dus zeker.

Hartig made it clear that the classically played violin holds no secrets for her, while dressed in black with bright purple pumps she also manifested herself as a pop star.

The concert of violinist Julia Hartig and pianist Reineke Brookhans, held at Bemus, was equally colored by intimate and subtle emotions and expressive musical dialogues. The repertoire, partly composed as a tribute to the violinist herself, represented a kind of musical autobiography that Hartigova shaped together with composers from Serbia and the Netherlands, where she lives and works. The special guest of the evening was cellist Maja Bogdanović.

U okviru BEMUS-a biće izvedeni i specijalni programi posvećeni savremenim srpskim kompozitorima (Orkestar Opere i teatra "Madlenianum", dirigent Dejan Savić), izvornoj muzici (selektorka Mirjana Drobac), horskoj duhovnoj muzici (Hor RTS, dirigent Vladimir Gorbik) i autorsko veče nedavno preminulog kompozitora Zorana Erića, nekadašnjeg umetničkog direktora BEMUS-a (Ansambl Metamorfozis, umetničko vođstvo Saša Mirković), a program posvećen delima Isidore Žebeljan će izvoditi violinistkinja Julija Hartig i pijanistkinja Rajneke Brukhans.

Program

Ulaznice

Julija Hartig is festivalvioliste van de 7e editie. Zij presenteert naast dit huisconcert de acht topstrijkers van haar Amsterdam based Roctet in De Thomaskerk op donderdag 12 september. Zij sluit het festival af met Reineke Broekhans, de geweldige pianiste waarmee zij de Edison Klassiek 2023 won, en Oorkaan Ensemble in de Vondelkerk op zondag 15 september.

Julija Hartig

is één van de Edison winnaressen van dit jaar.

Heartbreaking and moving solo

Second violinist Julija Hartig 'danced' her sometimes difficult opposing voices almost out of her body, sometimes using beautiful, repetitive 'upstrokes' where she felt it was necessary, and rightly so (and where the 'average violinist' would make it easier), and played a truly heartbreaking and poignant solo in the second part. And so each member of the octet deserves its own trumpet, because every part was, without exception, played perfectly by the other musicians, violinists Masha Iakovleva and Filipe Fernandes, violists Francien Schatborn and Frank Brakkee and cellists Eveline Kraayenhof and Anneke Janssen: there a beautiful, clear and polyphonic voice fabric of individual top musicians was created who nevertheless found the perfect unity of an ensemble that knows each other inside and out.